Miki Yoshikawa interview on Yamada-kun and the Seven Witches

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Interview by Deb Aoki and Misaki C. Kido

Miki Yoshikawa has exceptional talent. Not only because she’s a female mangaka who’s succeeded in shonen manga, but because her approach to manga is so genuine. If you ever get lucky enough to meet her, you’ll quickly realize what makes her a such a unique person is also what makes the characters in her manga so much like real people. 

To help kick off the release of Volume 6 of Yamada-kun and the Seven Witcheswe're reprising Yoshikawa-sensei's interview with us during her memorable Anime Expo 2015 visit, where she shares her thoughts and experiences as the creator of Yamada-kun and the Seven Witches. Relive some of the excitement—and check out some pictures—from her last Stateside event!

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About Miki Yoshikawa

Miki Yoshikawa made her pro manga debut in 2003 with Glory Days, a one-shot in Kodansha’s Magazine Special. After a stint as an assistant for Hiro Mashima (Fairy Tail), she published another one-shot, Yankee-kun to Megane-chan, in Shonen Magazine Wonder in 2005. Thanks to its deft comedic touch, Yankee-kun went on to become a short series and later Yoshikawa’s first long-running series in Weekly Shonen Magazine. It was adapted into a live-action drama in 2010-11. Yoshikawa’s best known work, Yamada-kun and the Seven Witches, started serialization in 2012 and has since sold more than 3 million copies. It’s been adapted into a live-action drama, in 2013, and a TV anime (streaming on Crunchyroll), in 2015.

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Kodansha Comics (KC): How did you become a mangaka?

Miki Yoshikawa (MY): When I was nineteen, I just drew a manga and sent it in to a contest. I sort of studied other manga and picked up how to draw. Then one day, my current editor called me and asked, “Do you want to become a mangaka?” Out of pure excitement, I said, “YES!” [laughs] That was the beginning of everything.

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Yoshikawa and her editor at Anime Expo 2015

KC: What was the editor's advice at the time?

MY: I remember telling my editor this was actually the first time I’d ever drawn manga, so it might be a little rough. He totally agreed with me. [laughs] I appreciated his honesty, though. I know he wouldn’t give me false praise if the manga wasn’t actually interesting. That’s what make it so easy to work with him. We’ve been working together ever since—leading up to my debut and also on my current series.

KC: You’ve also worked as an assistant for Hiro Mashima (the creator of Fairy Tail).

MY: After my editor contacted me, I really thought I could be a mangaka. But I also knew that I had to get better. At that time, Mashima-sensei was looking for an assistant, and I knew I wanted to work with him.

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Fairy Tail by Hiro Mashima

KC: Why did you want to work with Mashima-sensei?

MY: Maybe our taste in art was sort of similar? At that time, there weren’t that many artists that drew in that kind of clear and simple style for Weekly Shonen Magazine. Other manga in the magazine were drawn very intricately, and with shiny eyes and stuff. So I thought to myself, if I’m going to become a mangaka’s assistant for Shonen Magazine, it has to be under Mashima-sensei.

KC: Was it hard to be an assistant for Mashima-sensei?

MY: Actually, not at all. We got along really well and shared a bunch of interests, like in movies and video games. Frankly, at that time, I didn’t have any skills as a manga assistant. But he didn’t really care about that. What he cared more about was if you could get along with him and his staff.
 

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Yoshikawa doing live drawing on the Crunchyroll stage at Anime Expo 2015


KC: What did you do as an assistant for Mashima-sensei?

MY: I worked with him for about four years, with four other people. I usually worked on backgrounds, inking, drawing patterns or applying screentones, and some hand-drawn letters. But all the characters were drawn by Mashima-sensei himself.

KC: Did you draw your own manga during that time?

MY: I was working on my own manga while I was doing assistant work for Mashima-sensei. But to be honest, I was slacking off on my own work, because it was just so much fun to be his assistant.

KC:  Could you describe the work environment at that time?

MY: Everybody was quite chatty. During breaks, we just played video games together. There were always five of us, so we played multi-player games for Nintendo, like Mario Kart or Mario Party. Everybody got so serious, it got pretty intense. Some days we just spent playing games and completely forgot about drawing manga. [laughs]

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From the first chapter of Yamada-kun and the Seven Witches

KC: The first chapter of Yamada-kun and the Seven Witches starts off as a typical romantic comedy. Then you realize pretty quickly it’s not going that way at all. Was this intentional?

MY: Yes, totally. [laughs] Early on in the series I received a lot of fan mail predicting it was going to be another typical, easy-to-understand romantic comedy. Reading those letters, I couldn’t stop smirking, because deep inside I knew their expectations were going to get upset eventually.

KC: Yamada-kun and the Seven Witches is about witches who are students in a normal high school who deal with real-life problems, instead of just magic. How did you decide each of their powers and the underlying struggle?

MY: If you really think about it, all of the witches’ powers are psychological instead physical. I really hope someone in junior high or high school will read this manga and feel sympathy—or realize they aren’t the only ones who are dealing with these issues. If this series was focused on physical power, then the message would be completely different. Instead of working on a manga about a full-on fantasy world, I wanted Yamada-kun to be set in a reality where magic could exist.

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Yoshikawa taking to fans during the signing

KC: Do you ever get stuck making manga?

MY: Of course I get like that almost every time. I always ask myself a questions like, “What’s going to happen next?” Or, “Where am I going to take this?” But it’s not exactly about what I want to do with the story. Each character has a different personality and course of action. When I focus on thinking about “What would this character do?” or “What would this character do in this case?”, usually I don’t have to be stuck.

KC: Do you ever talk to the characters?

MY: When I’m drawing them, I am not me. I completely become the character. For example, Yamada is sort of a “bad boy” character who speaks roughly. When I’m drawing Yamada-kun, my language becomes really rough. [laughs] People think I’m always mad or something.

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KC: Do you like the “bad boy” characters?

MY: It’s actually not a conscious decision. But when I draw a main character of a shonen manga, it always turns out to be a sort of “bad boy” character. It’s probably because of where I grew up. Everybody sort of spoke roughly. To me, they’re not scary at all. But if you weren’t from that area, those guys might look kind of scary to you.

KC: Shonen manga is usually by boys for boys. How does it feel to be a female mangaka in this field?

MY: Well, I was never really a girly girl to begin with, so I never really thought about it like that. All the friends I grew up with were boys, and I only read shonen manga—like Dragon Ball. When I started to draw manga, I didn’t really feel like I could draw manga for a female audience.

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There are many kissing scenes in this series

KC: There are scenes in Yamada-kun, like two boys kissing each other. Did you think it was going to be controversial?

MY: That was a total gamble. [laughs] Most of the readers of Weekly Shonen Magazine are boys, so I wasn’t sure how they’d feel seeing two boys kissing, so I took a chance. But actually, people thought it was funny. It actually made the series more popular. I couldn’t have predicted that.

KC: Do you have an ending in mind?

MY: Yes, and no, because it’s always changing as the story progresses.

KC: Any message for the fans?

MY: I knew there were fans of Yamada-kun and the Seven Witches overseas. But coming to America, and meeting some of them, made me realize it’s really true and encourages me to work harder. I hope you support my manga in the future.

KC: Thank you!

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Yamada-kun and the Seven Witches volumes 1-6 are available from Kodansha Comics

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Hurry! Yamada-kun and the Seven Witches Volume1 is available for a limited time
for only 99-cents on Kindle, iBooks, nook, Kobo, and comiXology (sale ends on 1/21/2016)!

Introduction to Manga for Librarians

As we announced last December, Kodansha Comics' entire digital book list is now available to libraries through OverDrive, the world's largest network of digital libraries.

If you are an avid manga reader and/or library user, this is especially a great news. Now you don't have to wait for the physical copy to arrive at the library. Next time a copy of manga you want to read is checked out or unavailable at the library, see if the digital copies are available via OverDrive. (If not, ask your librarians about it!)

If you are a librarian, thank you for your constant effort to encourage library users, particularly teens, to read manga. We’d imagine that you are already more knowledgeable about manga than most because of your day-to-day interaction with the library users. But just in case you want to know about our manga in a nutshell, we’ve put together an introduction to manga that you may find helpful.

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Click here to download Introduction for Manga for Librarians.
 

Whether you are a library user or a librarian, we value your opinion. Please give us feedback about your experience with manga on eBooks at the library here.

A Noragami New Year Message from Adachitoka

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Akemashite Omedeto! New Year's is a special time of year. To start the year off right, we're sending you a New Year card from Adachitoka, the creator of Noragami: Stray God. 

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Special message from Adachitoka:

Happy New Year!! May our fates intertwine.
—Adachitoka  2016.1.1

Creator Spotlight: Adachitoka 

To kick off the new year, we're showcasing Noragami: Stray God and its creator Adachitoka:

Noragami Manga Interview
Read the never-before-seen creator interview with Adachitoka … in manga! 

Noragami Work-in-Progress
Yohei Takami, the editor of Noragami, reveals the behind-the-scenes of making manga.

Did you know new volumes of Noragami come out every month?

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Noragami: Stray God Volumes 1-9 available now

Don't forget to check out the Noragami side-story collection, Noragami: Stray Story! 

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Noragami: Stray Story Volume 1 available now

 

 

 

 

Rare peek into Noragami work in progress

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On December 12 Kodansha Comics hosted an event for our hit manga series Noragami:Stray God at Kinokuniya Bookstore in San Francisco. Yohei Takami, an editor at Monthly Shonen Magazine in Japan and the editor of Noragami, was the guest speaker. Takami-san provided a rare step-by-step look into the process of how artist and editor work together to make manga.

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What’s Noragami about?

Noragami is about a homeless god named Yato, who doesn’t have a shrine or worshippers. It’s his business to help those in need, for a small fee. But in reality he's only good at one thing––slaying what’s in front of him.

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early sketch of Yato

Every god owns a shinki, regalia used as weapon or tools. A shinki is made from the spirit of humans who passed away. Without a shinki, a god like Yato is practically powerless. This story begins when Yato meets his new shinki, Yukine.

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early sketch of Yukine

For a god to exist, there has to be a worshipper. That's when Hiyori comes into the picture. Hiyori is the only human who believes in Yato. She constantly bugs Yato to fix her problem with "going out of body” from time to time.

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early sketch of Hiyori

My first impression of Noragami was just WOW! I’ve never seen a god in a tracksuit. [laughs]

Concept

The artist and I spent a lot of time looking at these images of the characters. Then I asked a lot questions like, how do they talk? Where do they sleep? What’s their favorite food? And so on. This process helps loosen up the imagination, to get as many ideas and details out of our heads as we can. These ultimately become the powerful engine that drives the story. It’s important to go through this process before the manga starts. Because once it starts serialization, there’s no turning back and rebuilding a better engine.

"Name"

[Note: in manga editorial parlance, the first panel-by-panel rough drafts are called the “name.”] At this stage, what was loose, formless ideas start to take shape in the form of manga. An editor reads through it to see if it makes sense. I look for things like if the phrases in the speech bubbles make any sense, if a panel should be omitted for pacing, or if explanation needs to be added.

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"name"

Pencils

By this stage, an editor doesn’t push back on the concept or story. Instead we focus on converting the handwritten text to actual typeset. For example, in this scene, Yato says to Bishamonten, "What are you doing shaking your boobs?" [laughs] So I asked to make the font bigger and bolded.

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Inks

This is the last stage before it goes to print. But our work isn't done until we look and read through everything. I check for last-minute details like typos and page count before it goes to print.

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What’s the artist like?

At first I thought Adachitoka-sensei was a bit of a bumpkin. [laughs] But we’ve been together since our rookie years, and we got to know each other really well through working together. We’re close in age too, so we’re like friends.

Want to learn more about the artist, Adachitoka? Check out the Noragami Manga Interview!

Special thanks to Yohei Takami for sharing his behind-the-scenes stories of making manga and Kinokuniya Bookstore San Francisco for hosting this event!

Read the Noragami Interview Manga with Adachitoka

Just who is Adachitoka? Besides being the creator of Noragami: Stray God, very little else is known about this great artist.

Who else could get the deepest insights from a mangaka, besides another mangaka? Fellow artist Kazushige Miyazaki went deep in his interview with Adachitoka … in manga!

This interview originally ran in Monthly Shonen Magazine (October 2015) as Getsumaga Chronicle. © Kazushige Miyazaki / Kodansha Ltd.‚Äč

 

Vertical Comics Digital Editions on Sale until Feb 5

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As we announced last December, we're thrilled now to be working with the wild bunch at Vertical Comics, releasing new Digital Editions from the Vertical catalog. Now we invite you to get into some of these mind-blowing series with a special sale on digital-edition Volume 1s starting from 99-cents. It's going on at every one of our digital retail partners: comiXology, iBooks, Kindle, Kobo, and nook

What’s on Sale Now (January 22-February 5):

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Knights of Sidonia Volume 1 for only 99¢

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Ajin: Demi-Human Volume 1 for only 99¢

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The Flowers of Evil Volume 1 for only 99¢

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Witchcraft Works Volume 1 for only 99¢

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Chi’s Sweet Home Volume 1 for only 99¢

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The Drops of God Volume 1 (double-size at 424 pages) for only $1.99

Sale ends February 5. This concludes this winter's "Manga Vacation" promotions, where we offer select digital volumes for sale starting from 99-cents. Check back soon for future "Vacations" though!

Go on Manga Vacation! Digital Volume 1s for 99-cents until January 21

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What's new for 2016? This winter, we're holding a blowout 99-cent sale on Volume 1s of selected Digital Editions. It's going on at every one of our digital retail partners: comiXology, iBooks, Kindle, Kobo, and nook. Now—whether you're goin' on an exotic trip or an exotic staycation—you can be on a manga vacation! 

What’s on Sale Now (January 8-21):

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Yamada-kun and the Seven Witches Volume 1 for only 99¢

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Your Lie in April Volume 1 for only 99¢

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UQ Holder Volume 1 for only 99¢

On sale for a limited time only. This season's "Manga Vacation" promotions, where we offer select digital volumes for sale for 99-cents, end January 21. Check back soon for future "Vacations" though!

December 15 New Releases: Attack on Titan, Fairy Tail, Tsubasa: WoRLD CHRoNiCLE + more

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And now, a deluge of new manga releases for the holidays. Let's take a look at what's new to both brick+mortar and digital bookshelves:

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At last, Volume 17 of manga phenomenon, Attack on Titan by Hajime Isayama, is finally here. You can have it 2 (or 3) ways: in our regular print or digital editions—or also as the Attack on Titan 17 Special Edition, featuring an exclusive DVD containing an Attack on Titan anime episode never before released in the U.S.

The half-hour episode "Ilse’s Notebook" is the first time a side story from the manga has been animated. It's by the the same producers and voice actors as the hit anime series and was previously only available as part of a limited-edition manga package in Japan. The Attack on Titan 17 Special Edition is the only way this episode will be available in English.

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Fantasy overload! It's Volume 51 from the long-running hit by Hiro Mashima, Fairy Tail. At the same time, we've got the long-awaited sequel to all-time bestseller Tsubasa by CLAMP, Tsubasa WoRLD CHRoNiCLE. Free Chapter 1 preview at the cover-image link.

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As many mangaphiles already know, Kodansha Comics publishes some of the best shojo comics aroundSay I Love You. by Kanae Hazuki has been a recent breakout hit, but LDK by Ayu Watanabe, now just on its second volume, has gotten off to a strong start.

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We've been making waves in the world of digital comics as of late, rapidly expanding our selection through digital channels like comiXology and Kobo. This week on the digital front, new volumes from a pair of "dark" science-fiction thrillers: Parasyte by Hitoshi Iwaaki, the basis of the hit Adult Swim anime, and the post-apocalyptic-Tokyo-story COPPELION by Tomonori Inoue. 

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Finally, we have new volumes in our accelerated weekly digital-only series: Space Brothers, My Wife Is Wagatsuma-san, As the Gods Will: The Second Series, and Fort of Apocalypse. (Look for Fuuka to come back into the rotation in February.) Along with COPPELION, these series are currently only available as Digital Editions—as part of our accelerated publishing program to offer a broader selection of our titles in English translation. It's been a great experiment, so far. And while there's no plans for print releases yet, you never know!

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Noragami Talk Event at Kinokuniya SF

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Kodansha Comics is hosting a Noragami: Stray God Talk Event at Kinokuniya Bookstore in San Francisco on Saturday, December 12. Yohei Takami, the Japanese editor of Noragami from Kodansha, goes behind-the-scenes to talk about the making of the hit manga series.

Plus! First 50 attendees will get an exclusive Noragami sticker!*

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*while the supply lasts

Talk about Noragami
December 12 (Saturday)
2-3
Kinokuniya Bookstore 2F
1581 Webster Street

San Francisco, CA 94115
http://www.kinokuniya.com/us/

 

See you there!

 

New Digital Editions: Vertical Comics library, Parasyte, COPPELION

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Look for a surge of darker-edged manga coming to digital bookstores early this month.

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At last, as announced last week, Digital Editions of the surreal alien-invasion classic (and now anime on Adult SwimParasyte by Hitoshi Iwaaki and the apocalyptic schoolgirls-in-radioactive-Tokyo saga COPPELION by Tomonori Inoue go on sale today. Previously Parasyte was only available in print and COPPELION was only available as a simultaneous streaming title on Crunchyroll Manga. New volumes will be released weekly. Check out full Chapter 1 previews at the cover links above.

We're also very, very happy to announce we're now working with the estimable gang at Vertical Comics to release new Digital Editions, starting with Ajin: Demi-Human, The Flowers of Evil, and Witchcraft Works. Every available volume from these 3 series goes on sale next week, December 8th—that's 24 volumes of manga previously unavailable on digital on sale in one day. Like Parasyte and COPPELION, these series will be available at digital retail partners comiXology, iBooks, Kindle, Kobo, and nook.

Finally look for every volume of another trio of Vertical hits, Chi’s Sweet Home, Knights of Sidonia, and The Drops of God, to be available for the first time on comiXology, also on December 8.

For media inquiries, contact pr@nullkamsf.com or info@nullvertical-inc.com. Click here for a PDF of the joint Kodansha-Vertical press release.

Click on the cover-links for release info and full Chapter 1 previews:

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Ajin: Demi-Human volumes 1-6. By Gamon Sakurai. The dark supernatural cult hit about a high school boy who attains immortality—and all the problems that go along with it. To be released as a Netflix anime series in 2016.

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The Flowers of Evil volumes 1-11. By Shuzo Oshimi. The acclaimed, and oddly moving, manga series about a bizarre love triangle among perfectly normal (?) high school kids seeking decadence in a small town.

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Witchcraft Works volume 1-7. By Ryu Mizunagi. The manga comedy about supernatural wars in an unusual Japanese high school and the poor guy caught in the middle, adapted into the anime series, now streaming on Crunchyroll.

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Chi’s Sweet Home volumes 1-12. By Konami Kanata. The award-winning, bestselling all-ages manga about the adventures of a mischievous, and painfully cute, stray kitten adopted by a human family.

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The Drops of God volumes 1-4 (plus “New World” volume). By Tadashi Agi and Shu Okimoto. The acclaimed wine manga that changed the way people drink wine and perceive manga around the world.

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Knights of Sidonia volumes 1-14. by Tsutomu Nihei. The manga that became a hit anime on Netflix, by manga science-fiction legend Tsutomu Nihei, set in the coldest reaches of outer space.